The new Mikado

Yesterday, we saw the closing performance of the Lamplighters’ production of The New Mikado: Una Commedia Musicale! at Livermore’s first-rate Bankhead Theater.

It was excellent.

Set in Tirmisu, a sweet little town near Renaissance Milan (and ruled by Milan’s emperor, Il Ducato, who aims to make the punishment fit the crime), it tells the complicated story of Niccolu, son of Il Ducato but disguised as a wandering minstrel (or second trombone in Tirmisu’s municipal band), Amiam, his beloved, and how love eventually conquers…nah, you can’t really recount the plot.

What? Renaissance Milan?

Yep. I’m sure you can find material on why the Lamplighters staged this production. (We saw their production of The Mikado a few years back. It was also excellent.) I won’t dwell on that. I’ll just say the commedia dell’arte-style production (including street entertainers before the curtain and actors reacting to scenery changes involving trees being lifted out of or restored into the scene) was absolutely first-rate. Mason Gates was especially good, but others–including F. Lawrence Ewing as Coco–weren’t far behind.

Sigh. Unfortunately, for whatever reasons, the Lamplighters won’t visit Livermore for the rest of the 2016-2017 season.


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