Angels Hard As They Come, 1971, color. Joe Viola (dir.), Scott Glenn, Charles Dierkop, James Iglehart, Gilda Texter, Gary Littlejohn, Gary Busey. 1:26.
We open with some motorcycle dudes (one driving a motorized tricycle) trying to close a drug deal, but the man’s watching. From there, we get some of them—the Angels—tooling down the road, where they meet up with members of another outlaw cycle gang, the Dragons. They’re told of an ongoing party with some hippies in a ghost town, so of course they drop everything and join it.
All’s fine until some of the Dragons gang-rape (apparently) one of the hippie girls, she winds up dead, the Angels wind up in the ghost town’s jail and things start going south. Eventually—after a whole bunch of violence and some topless dancing—most of Dragons are dead and the hippies and Angels leave. That’s about it. Gratuitous everything.
Utterly worthless. Good print, but even as an exploitation flick this one’s just pointless and vile. For fans of motorcycles and truly worthless biker flicks, maybe $0.25.
Jane Eyre, 1970 (TV movie), color. Delbert Mann (dir.), George C. Scott, Susannah York, Ian Bannen, Jack Hawkins, Jean Marsh. 1:50 [1:39]
This is one of those “why is this in a cheap 50-movie set?” movies. I mean: George C. Scott. Susannah York. Jane Eyre. Music by John Williams. And a pretty respectable British production. Not a great print, but usually near-VHS quality. I won’t comment on the plot, which I assume is fairly true to the original (depressing, although love sort-of triumphs in the end). Scott (as Rochester) leaves a few toothmarks in the scenery, but probably no more than the role calls for. York does a pretty good imitation of being plain, and a fine job in the role.
All in all, a solid piece of work. OK, it’s a TV movie (but a good one), and there appear to be a few minutes missing, but it’s still pretty solid. (I list Jean Marsh above because she’s Mrs. Rochester, in a crucial but non-speaking role.) Not great, but certainly worth $1.50.
The Seniors, 1978, color. Rod Amateau (dir.), Jeffrey Byron, Gary Imhoff, Dennis Quaid, Lou Richards, Rocky Flintermann, Priscilla Barnes, Alan Reed, Edward Andrews, Ian Wolfe, Alan Hewitt, Robert Emhardt. 1:27.
An odd little confection about four men, seniors in college who share an old house and a beautiful “nympho who loves to cook and clean” and who are terrified of graduating and going to Work. They have a dweebish friend who lusts after their nympho and who is a lab assistant to and buffer to the world for a “three-time Nobel winner” entomologist (there are so many entomology Nobel categories) who gets any grant he asks for and will sign anything the lab assistant puts in front of him. So the four prepare a $50,000 grant request for a study on sexual preferences of liberated college women (or something like that).
From there on, well, part of it seems like an excuse for half a dozen or more college women to drop their tops (but did all college women in 1978 really wear such long and dowdy clothing?), and we learn that hundreds of beautiful coeds will rush at the opportunity to have sex with strangers for $20 an hour. After the four (the original men in the “study”) realize the money may eventually run out, they decide to expand the study to involve other male participants paying $50 an hour to participate in the study…and take over a motel to serve as a research source. (The coeds get $20; the rest goes for overhead and expansion and…well, and profit. All in the name of science, to be sure.)
In other words, it’s a comedy about the joys of prostitution. (At this point, the always-willing coed participants are signing up for 6 days-a-week two-hour shifts: Sure it’s just research.) It also involves venal leaders of the community, a foundation person hot after the 72-year-old scientist (who’s breeding an indestructible mosquito to take over the world) and more uplifting material.
A trashy little item with some up-and-coming and down-and-going actors. (Quaid was 24 at the time; Barnes was 20.) Not badly done for what it is. I’ll give it $0.75.
The Deadly Companions, 1961, color. Sam Peckinpah (dir.), Maureen O’Hara, Brian Keith, Steve Cochran, Chill Wills, Strother Martin. 1:33.
Another “how did this get into a cheap megapack?” movie—a decent Western with reasonable starpower and a first-rate director. (Ah, but it was early in Peckinpah’s career.) The basic story: A guy shows up in an Arizona town, sees another guy hanging from a rafter in a “torture him to death” situation, saves him. Well…turns out the first guy—who never takes off his hat—is a former Union officer who was almost scalped by a Johnny Reb and has been looking for him. Guess who?
The rest of the plot is complex and involves an accidental killing, a bank robbery, a love story of sorts, various forms of betrayal, loads of Arizona scenery and about as much of a happy ending as makes sense for this kind of flick. All in all, well done, a pretty good print, not a great movie but not a bad flick. $1.25.
In case you’re wondering: This isn’t the last disc in the megapack. Because these are all full-length movies, the 50-movie set requires 13 discs.